Popular Posts

Total Pageviews

Wednesday, March 5, 2014

Bow Out Gracefully: Wu Tang, 50 & DipSet Give It Up!!!!!





                                                                        -Andre 3000 “Rosa Parks”


In the past I’ve written about how the quality of work had piqued (if not declined) in almost all genres of popular culture and entertainment.

I basically argued that everything that transpired or was produced in the 80’/90’s era was the last time we witnessed something organically unique and creative.  




Evidently that theory applies to the very same people that created said classic material in that era, at least musically.  There’s a bevy of reasons to attribute for such an unfortunate fall off:  dissension, ego, money, usually plays the main role and at times cats just lose “it.”

Sometimes artists just lose touch with their core audience and try to blend in with what’s trending in contemporary times.  Progression and adjusting your styles is a part of the game but when artists totally conform their style just to be relevant, that’s when I walk away from supporting artists in a present tense. 

I’ll support their past work and remember them at their pinnacle, but miss me with that Washington Wizard, shell of their former self work that they’re doing now, case in point:

WU TANG CLAN

The Wu Tang is one of my favorite groups of all time (Wu, Public Enemy, OutKast, Mobb Deep, NWA, & EPMD).  When they first hit the scene, or when I discovered them in 1993, I was deeply influenced, intrigued and impressed by their whole movement.  I was open off of the kung fu samples, the themes, the teachings, the knowledge, and the message of brotherhood. 

That brotherhood has been fractured throughout the years to the point where their 20 year anniversary and final album was postponed because of monetary discrepancies (mainly Ghost and Rae). 

The irony of that statement is that nobody is waiting for a Wu Tang Album!  What is Rae and Ghost holding up?  Ever since the Wu started to have guest features on their albums (i.e. Snoop Dogg on “Conditioner” for the “W” album), it’s been a decline for the Wu.

RZA started to decrease his production responsibilities during that period (The Wu element suffered and sounded different without the Abbott’s fingerprints on it) and simultaneously if not as a result, the RZAs skills started to regress.  Plus my man said when rappers get on VH1 they become musically wack.  I guess it’s a sign of the times and appro po to see GhostFace on “Couples Therapy.”

Wu Tang Cut Off Line: The W---I couldn’t make it to Iron Flag. 

50 CENT

I won’t beat up on 50 Cent, and when I say “I respect him but I just don’t rock with him musically,” I don’t say that in the same vain as I would for say, Nelly, Ludacris, Master P or Akon.  I actually was a fan of 50s music for a while. 

But the thing that made 50s music so ill was that it was a live war report from his life, which at the time was filled with plenty of street action.  He was also the savior to Murder Inc.’s love song radio dominance. 

Everything 50 touched turned to gold in the beginning, but that bully music, calling out rappers and beefing with them is kind of old.  And when he’s not trying to bait other artists to beef, his street tale rap is kind of recycled and tired, especially when we know you’re sitting on 350 milly.

You’re paid 50, you don’t have anything else to prove. Get your money in Hollywood, SMS Headphones and promoting boxing.

50 Cent Cut-Off Line: The Massacre---Couldn’t make it to “Curtis” (ever since 50 challenged Kanye it’s been downhill for your boy record sales wise).  Listened to “Before I Self-Destruct” and was amazed at the lack of  50’s progression, lyrical content wise.

DIPSET

The once kings of neo-Harlem, the DipSet are apparently in the studio to make an album.  But why?  Core Dip-Set fans have long ago mentally accepted the unfortunate dissension and demise of Dip Set, specifically the Cam-Jim Jones fall out.

In addition they’re selling Dip Set merchandise now?  I can’t lie, the ish would’ve been fly during that 2000-04 wave, but now it’s a day late and a dollar short.  Their whole reuniting appears contrived and only for the money.  “Only for the money” albums aren’t as dope as organic albums when all members are in sync, but time will tell.

DIPSET Cut-Off Line:  Whenever Cam and Jim had issues and Jim Jones publically sided with G-Unit/50 Cent.






No comments:

Post a Comment